Bentley Motors is delighted to confirm that the unique Arnage Limousine concept, created by its Bentley Mulliner coachbuilding division for the 2004 Geneva International Salon is to be put into a limited production run. Such has been the demand following its unveiling, 20 individually numbered, bespoke Arnage Limousines will be commissioned for customers looking to own a truly luxurious car that provides extraordinary levels of comfort and craftsmanship as well as valuable privacy.
In the same spirit as the coachbuilt Bentleys of the 1920s and ’30s, customers will be able to commission a car to their own specification, and create a unique statement that will be valued in the future. Like the spectacular Speed Six and 8-litre Bentleys that wowed the motoring world in their Roaring Twenties heyday, the Arnage Limousine will represent the pinnacle of handbuilt, individually crafted luxury cars. Nothing can come close to its unique qualities, nothing will match its rarity and value.
Bentley Arnage Limousine in detail
The Arnage Limousine is a car that could only be produced by the world’s most accomplished luxury carmaker, Bentley Motors, whose coachbuilding division Bentley Mulliner is simply second to none. Unlike other limousine builders, whose customers are forced to choose from a limited list of options and specifications, Bentley Mulliner provides bespoke answers to any question a Bentley customer chooses to ask.
Echoing Bentley’s acclaimed past – when customers would personally commission a coachbuilder such as HJ Mulliner to design and fit a body to a Bentley chassis – the process of ordering and owning an Arnage Limousine will entail the same degree of creativity and attention to detail.
Extended cabin means total luxury, complete privacy
The Arnage Limousine is designed for those who value their privacy and are not prepared to compromise when on the road. By widening the ‘D’-pillar behind the rear doors, the Arnage Limousine’s designers have fashioned a deeply recessed Seat area that provides a safe and shielding cabin for passengers, as well as significantly enhanced rear legroom. In addition, a smaller rear ‘privacy’ window adds to the feeling of seclusion and ensures back-seat passengers are kept well away from prying eyes.
To create that broad ‘D’-pillar and enlarged interior, the Arnage Limousine has been designed with a generous wheelbase measuring a total of 3566mm (140.4 inches). This ensures that passengers will enjoy all the benefits of a longer cabin. To retain the car’s aesthetic visual balance, an extra 200mm (8 inches) is located in the ‘D’-pillar alone, a further 200mm is added to the rear doors and a final 50mm (2 inches) in the front doors. This process was carried out entirely by hand, a challenge that could only be attempted by Mulliner’s brilliant craftsmen and women, according to Ashley Wickham, head of projects, Bentley Mulliner:
“The Arnage Limousine is the epitome of Mulliner craftsmanship,” he says. “Everything you can see – from the beautiful line of the new D-pillar to the stainless steel sills – was shaped by hand. That’s why a Mulliner-built Bentley can take up to 6000 man hours to complete. It is a labour of love.”
A perfect appearance is not just important for our passengers, it is imperative for our cars as well. Aesthetic purity in design and shape has always been the hallmark of Bentley cars and, as has been recently observed by many influential commentators, the bigger the car, the harder it is to retain a degree of subtlety and understatement. The Arnage Limousine, however, achieves that visual perfection, succeeding in being stately and imposing without appearing vulgar or ostentatious.
By evenly distributing the extended areas within the car’s wheelbase, the graceful balance of the classic Arnage silhouette is retained. To round off its aesthetic impact, the original Geneva International Salon Arnage Limousine is finished in dual tone paintwork, with a Royal Burgundy cabin, bonnet and boot sections on top of black side-panels and nose. Unique stainless steel sills and bumpers act as a visual counterpoint to the two-tone colour scheme.
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